Cosmognosis, la première démo du groupe, voit le jour en avril 2000, et n'est diffusé qu'en Cd-R. La démo ouvre sur "Ancestral", déjà l'ambiance se met en place, le rythme indus se mélangeant souplement dans ses retranchements. C'est l'influence Das Ich, qui commence mais se fait tuer dans l'oeuf, voix distordu, lyrics torturées. L'influence électro est omniprésente, le goth, mi death, mi indus de Covenant se dessine. Les voix clairs du refrain se mèlent avec passion aux plaintes saturés de la chanson. Et le battement rythmique continue, pour s'étouffer dans un break haché... "A liquid-blue quest", pièce maîtresse du genre continue cette amalgame, cet aliage entre électro et indus, avec des pointes torturées. Légère mélodie à la guitare, à peine étouffée, puis recouvert par cet assemblage clair-obscur, de voix clairs-distordus. Das Ich, The Cure, Covenant, Einztursen Neuebauten, les influences ont été digérées, compactées, mariées avec délicatesse et sensibilité, et Lucky Striker 201 est leur produit. Grosse caisse latente, vent froid, légère augmentation du tempo, beat outrageant, mélodie inflexible, guitare tranchante, voix qui cherche dans le passé, rêves chimériques, cauchemar matinal, "TFH201" c'est tout ça et autre chose à la fois, en 3 minutes à peine, la comparaison souffre à se faire plus précise. Petite intro au clavier, mystérieuse, berceuse, ensorcellante, digne de NIN, soudain rejointe par des montées d'éveil, illustrant à merveille leurs propos. Soudain, changement de décor, guitare et distortion ne font plus qu'un pendant un instant, jusqu'à la symbiose musicale ; puis soudain, nouveau changement pour un piano post-moderne, de nouveau accompagné à l'électro. Mélodie post-tragique près du but, dépeignant tel tableau impérieux, pour finir sur un final apostolique en guise de conclusion de "Saeculum". Pour se réveiller, "S.O.D.", ses rythmiques tranchées, tranchantes, l'ambience est surréaliste, irréelle et martelée. Dans la même lignée fusionnelle que le reste de la démo.
Cosmognosis, the first demonstration of the group, is born in April 2000, and is diffused only out of Cd-R. The demonstration opens on "Ancestral", already environment is set up, the rate/rhythm undue money mixing flexibly in its cuttings off. It is the influence Das Ich, which starts but is made kill in egg, voices distorted, lyrics tortured. The electro influence is omnipresent, the goth, semi death, semi undue money of Covenant takes shape. The voices lights of the refrain are mèlent with passion with the complaints saturated with the song. And the rhythmic beat continuous, to choke itself in a chopped station-wagon... "A liquid-blue quest", piece centre of the kind continues this amalgam, this aliage between electro and undue, with tortured points. Light melody with the guitar, hardly choked, then covered by this clearly-obscure assembly, of voice light-distorted. Das Ich, The Clean, Covenant, Einztursen Neuebauten, the influences were digested, compacted, married with delicacy and sensitivity, and Lucky Striker 201 is their product. Large latent case, cold wind, light increase in the tempo, beat outrageant, inflexible melody, sharp guitar, voice which seeks in the past, chimerical dreams, morning nightmare, "TFH201" it is all that and another thing at the same time, in 3 minutes hardly, the comparison suffers to be done more precise. Small intro with the keyboard, mysterious, lullaby, ensorcellante, worthy of NIN, suddenly joined by rises of awakening, illustrating with wonder their remarks. Suddenly, change of decoration, guitar and distortion make nothing any more but one during one moment, until musical symbiosis; then suddenly, new change for a post-modern piano, accompanied again with electro. Melody post-tragedy close to the goal, depicting such pressing table, to finish on final apostolic as a conclusion of "Saeculum". To awake, "S.O.D.", its rhythmic distinct, sharp, the ambience surrealist, unreal and is hammered. In the same fusionnelle line that the remainder of the demonstration.
Cosmognosis, the first demonstration of the group, is born in April 2000, and is diffused only out of Cd-R. The demonstration opens on "Ancestral", already environment is set up, the rate/rhythm undue money mixing flexibly in its cuttings off. It is the influence Das Ich, which starts but is made kill in egg, voices distorted, lyrics tortured. The electro influence is omnipresent, the goth, semi death, semi undue money of Covenant takes shape. The voices lights of the refrain are mèlent with passion with the complaints saturated with the song. And the rhythmic beat continuous, to choke itself in a chopped station-wagon... "A liquid-blue quest", piece centre of the kind continues this amalgam, this aliage between electro and undue, with tortured points. Light melody with the guitar, hardly choked, then covered by this clearly-obscure assembly, of voice light-distorted. Das Ich, The Clean, Covenant, Einztursen Neuebauten, the influences were digested, compacted, married with delicacy and sensitivity, and Lucky Striker 201 is their product. Large latent case, cold wind, light increase in the tempo, beat outrageant, inflexible melody, sharp guitar, voice which seeks in the past, chimerical dreams, morning nightmare, "TFH201" it is all that and another thing at the same time, in 3 minutes hardly, the comparison suffers to be done more precise. Small intro with the keyboard, mysterious, lullaby, ensorcellante, worthy of NIN, suddenly joined by rises of awakening, illustrating with wonder their remarks. Suddenly, change of decoration, guitar and distortion make nothing any more but one during one moment, until musical symbiosis; then suddenly, new change for a post-modern piano, accompanied again with electro. Melody post-tragedy close to the goal, depicting such pressing table, to finish on final apostolic as a conclusion of "Saeculum". To awake, "S.O.D.", its rhythmic distinct, sharp, the ambience surrealist, unreal and is hammered. In the same fusionnelle line that the remainder of the demonstration.
